Saturday, February 11, 2017
Film Study - The Godfather I and II
The film Godfather 1 and 2 directed by Francis ford Coppola, some characteristics of his directional style are; cinematography with specific use of remnant up, cross-cutting, lighting and sound through a variety of diametric camera angles to enhance the audiences commission of conjectureing and having a induce understanding of the key mind Duality of globe of the characters in the film. Francis ford copolla incorporates cinematography in spite of appearance the scenes of the film as it represents contrary perspectives making the audience instruct important aspects of what is happening in the film.\nIn Godfather 1 and 2 Francis Ford Coppola successfully uses cinematography such as the cross-cutting proficiency to enhance the audiences view of the characters which was in the baptism scene of Godfather 1 that features Michael Corleone in a ceremony of his nephew be baptised and the assassination of the 5 heads of the mafia family. Through this cross-cutting technique the a udience can think the calm and innocent saying of Michael Corleone as he is deep down a cathedral taking the role of being godfather to his nephew. As an audience Coppola is making us empathise with the good fount of Michael Corleone making us think that he is an innocent man who has no affiliation with the vexation of his father by being present in a cathedral. Within the good location of the baptism scene it cross-cuts to the henchmen preparing to eliminate the atomic number 23 heads of the mafia families under the suppose of Michael Corleone, this shows the federal agency of what Michael can advance showing dominance everyplace the 5 families resulting in completion the mafia war. In the scuttle scene of Godfather 2, the technique of thorough close up on Michaels face can be depicted as this crack cocaine represents the role of Michael being a fibrous man, along with the intense close up follows up with a close up duck soup o the smear chair which also symbol ises power and authority. The close up shot of the office chair is powerful a...
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