Film Making Essay Example | Topics and Well Written Essays - 1000 words

Film Making - Essay Ex greatThe popularity of the movement spread across the unsullied to discover the most un standardisedly host in the United States of America (Marie & Newpert, 2003, pp.1-7). The movement found ample support from the Czech Republic as well. This incredible drive movement broke the barriers created by master(prenominal) stream commercial movies as well as trans leveled the darkish orthodox believes which had been carried over done the dark ages of feudalism, medievalism, & ecclesiasticism. Paris was perhaps the darkest city during the history of the Second World War. The German censorship on films & theatres meant that the French citizens could not get a taste of global cinema in any form what so ever. Barring a few exceptional directors like Jean Renoir & Rene Clair, the French audience had to meet their artistic aspirations by witnessing below par domestic films. For the jr. generation of people like Eric Rohmer & Alain Resnais, this deficit in film shipme nt equaled to a hover cast of brutal fascist ideology. This taboo & rampart later turned come out of the closet to be the source of inspiration for the new boom film makers. To this puppyisher age band born around 1925-30, which would later consist of most of the directors of the new wave, films happened to be the nerve center of their universe & a sanctuary secluded from the ruthless realities of the outer world. (Marie & Newpert, 2003, pp.7-15) The end of the war & the liberation of France brought on an enormous desire for self expression, open interaction, & cooperation. Discussion of films became a part of the regular discourse. Film journals like the LEcran Francais, became an epicenter for great authors like Andre Bazin to familiarize their viewpoints & convey their unbridled panache for films. Bazin approached films as a true form of art, which deserved extensive scrutiny. His viewpoints often put him at loggerheads with the leftist writers who were hell change form on solely evaluating the political standpoints of a film (Marie & Newpert, 2003, pp.10-17). The pioneers, who vividly read film journals, now began to lay up film clubs all over the French territory. Future stalwarts like Claude Chabrol, & Alain Resnais were precisely benefitted from these little film clubs. By witnessing hundreds of films they came face to face with art of film making. Eric Rohmer was another avid audience of the film clubs. He invited Rivette & Godard to join him & the trio began to write articles, journals, & discourses on world cinema. The most important film journal came out in 1951, & was named La Cahiers du Cinema, which was published by Andre Bazin & Jacques Doniol- Valcroze. Bazin was nothing less than a father figure to the young crop of film enthusiasts (Ostrowska, 2008, pp.126-138). Henri Langlois deeply believed that watching silent films was the best way to intermingle with the art of cinema. As an end result, the new wave directors had great faith in f ilm makers like Charlie Chaplin, Buster Keaton, and D.W. Griffith & Erich von Stroheim (Ostrowska, 2008, pp.126-138). The Italian neo realistic movement also had a huge impact upon the outcome of the new wave movement. The young French aspirants were